La Conversazione Necessaria La Forza Del Dialogo Nell Era Digitale

Autore: Sherry Turkle
Editore:
ISBN: 9788806230456
Grandezza: 76,76 MB
Formato: PDF, ePub, Mobi
Vista: 477
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Brainframes

Autore: Derrick De Kerckhove
Editore:
ISBN: 9789024648795
Grandezza: 41,29 MB
Formato: PDF, Kindle
Vista: 2867
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The Selected Papers Of Elizabeth Cady Stanton And Susan B Anthony In The School Of Anti Slavery 1840 To 1866

Autore: Elizabeth Cady Stanton
Editore: Rutgers University Press
ISBN: 9780813523170
Grandezza: 64,67 MB
Formato: PDF, Mobi
Vista: 1778
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In the School of Anti-Slavery, 1840-1866 is the first of six volumes of The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony. The collection documents the lives and accomplishments of two of America's most important social and political reformers. Though neither Stanton nor Anthony lived to see the passage of the Nineteenth Amendment in 1920, each of them devoted fifty-five years to the cause. Their names were synonymous with woman suffrage in the United States and around the world as they mobilized thousands of women to fight for the right to a political voice. Opening when Stanton was twenty-five and Anthony was twenty, and ending when Congress sent the Fourteenth Amendment to the states for ratification, this volume recounts a quarter of a century of staunch commitment to political change. Readers will enjoy an extraordinary collection of letters, speeches, articles, and diaries that tells a story-both personal and public-about abolition, temperance, and woman suffrage. When all six volumes are complete, the Selected Papers of Stanton and Anthony will contain over 2,000 texts transcribed from their originals, the authenticity of each confirmed or explained, with notes to allow for intelligent reading. The papers will provide an invaluable resource for examining the formative years of women's political participation in the United States. No library or scholar of women's history should be without this original and important collection.

Autore:
Editore:
ISBN: 0099478978
Grandezza: 63,76 MB
Formato: PDF, ePub
Vista: 9268
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Moscow And The Italian Communist Party

Autore: Joan Barth Urban
Editore: I.B.Tauris
ISBN: 9781850430278
Grandezza: 60,44 MB
Formato: PDF
Vista: 4786
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Year S Journey Through France And Part Of Spain

Autore: Philip THICKNESSE
Editore:
ISBN:
Grandezza: 10,35 MB
Formato: PDF
Vista: 1700
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Info Aesthetics

Autore: Lev Manovich
Editore: Bloomsbury Academic
ISBN: 9781849660075
Grandezza: 29,63 MB
Formato: PDF, Kindle
Vista: 4097
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Does new media represent a 'new avant-garde' of information? How can an information society be represented iconically if the activities that define it are all so dynamic? What are the cultural consequences of extending the internet into the physical world? In proposing software as modernity's new societal force, this book seeks to reclassify software as today's revitalized combustion engine, underpinning the logic of contemporary culture. Manovich investigates the ways in which the shift from an industrial to information society has resulted in new aesthetic sensibilities and representations. He describes software as the internal combustion engine of the information society, arguing that it is in software that the new cultural logic manifests itself most clearly. This is a cutting-edge and systematic examination of contemporary culture by the creator of the field of software studies.

Building Big Business In Russia

Autore: Yuko Adachi
Editore: Routledge
ISBN: 1135147116
Grandezza: 41,34 MB
Formato: PDF, ePub
Vista: 6616
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This book examines the development of big business in Russia since the onset of market oriented reform in the early 1990s. It explains how privatized post-Soviet enterprises, many of which made little sense as business units, were transformed into functional firms able to operate in the environment of a market economy. It provides detailed case studies of three key companies – Yukos Oil Company, Siberian (Russian) Aluminium and Norilsk Nickel – all of which played a key role in Russia’s economic recovery after 1998, describing how these companies were created, run and have developed. It shows how Russian businesses during the 1990s routinely relied on practices not entirely compatible with formal rules, in particular in the area of corporate governance. The book fully explores the critical role played by informal corporate governance practices - such as share dilution, transfer pricing, asset stripping, limiting shareholders access to votes, and 'bankruptcy to order’ - as Russian big business developed during the 1990s. Unlike other studies on Russian corporate governance, this book highlights the ambiguous impact of informal corporate governance practices on the companies involved as commercial entities, and suggests that although their use proved costly to Russia’s business reputation, they helped core groups of owners/managers at the time to establish coherent business firms. Overall, the book shows that we cannot understand the nature of current economic changes in Russia without recognising the crucial role played by informal corporate governance practices in the creation and development of big business in post-Soviet Russia.

Sound Moves

Autore: Michael Bull
Editore: Routledge
ISBN: 1134516991
Grandezza: 28,47 MB
Formato: PDF, Docs
Vista: 303
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This innovative study opens up a new area in sociological and urban studies: the aural experience of the social, mediated through mobile technologies of communication. Whilst we live in a world dominated by visual epistemologies of urban experience, Michael Bull argues that it is not surprising that the Apple iPod, a sound based technology, is the first consumer cultural icon of the twenty-first century. This book, in using the example of the Apple iPod, investigates the way in which we use sound to construct key areas of our daily lives. The author argues that the Apple iPod acts as an urban Sherpa for many of its users and in doing so joins the mobile army of technologies that many of us habitually use to accompany our daily lives. Through our use of such mobile and largely sound based devices, the book demonstrates how and why the spaces of the city are being transformed right in front of our ears.

In The Blink Of An Ear

Autore: Seth Kim-Cohen
Editore: Bloomsbury Publishing USA
ISBN: 1441183078
Grandezza: 38,17 MB
Formato: PDF
Vista: 9012
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An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. Artists discussed include:� George Brecht John Cage Janet Cardiff Marcel Duchamp Bob Dylan Valie Export Luc Ferrari Jarrod Fowler Jacob Kirkegaard Alvin Lucier Robert Morris Muddy Waters John Oswald Marina Rosenfeld Pierre Schaeffer Stephen Vitiello La Monte Young